For offensive items you can rely on Hoffman (And maybe Heng?) to pop them. I’d suggest prioritising Support and Quick Items mostly to make sure you have healing items, defibrillators and stun guns more readily just in case. BACK 4 BLOOD BEST CARDS FREEScavenger Cards: (Best practice to divvy up the scavenger cards across the team if possible) Scavenger cards are going to be a new imperative now that free accessories will not spawn in the world on their own, with this card however you can alleviate that problem and make it so they do again… albeit at a lesser frequency. Simply to compensate now that Safe Rooms no longer recover health and restores a considerable amount of trauma damage from the get go. Well Fed played by multiple people will compensate the -10% health deduction.įresh Bandage: At the start of every level, restore 15 trauma damage and heal any missing health. Lives no longer recover from cabinets, first aid kits, defibrillators or upon reaching the safe room so everyone should be playing this card. Much Like Nightmare mode, without this card (Thanks to Mom’s rework) you’re sitting at an instant kill once your health drops to 0. Needs Of The Many: +1 Team Extra life, -10% health. That makes your base health 140 without the 30% stamina decrease from the equivalent Canned Goods card. Probably the most explanatory of the cards, now imagine everyone on the team plays the same card. Well Fed: Increases your team’s health by 10. This being said, communication is key and ideally you’re going to want to ensure that there is no overlap among players for cards that need only be played by one person. Now the top picks I suggest are by no means the “Holy Grail” of cards but, they are going to focus on those item and economy handicaps that No Hope enforces innately. BACK 4 BLOOD BEST CARDS HOW TOIn contrast to this, random card shrines are now more frequent which further confirms that the No Hope difficulty demands players get used to earning and saving copper while supporting the overall economy of the campaign – ensuring you play in the most optimal way possible.Īlso, No Hope players will start with their entire deck! This completely alleviates how to prioritise the order of your cards but, with the additional changes, you might find that you need to consider cards that you wouldn’t normally to offset the new handicaps. The changes include but are not limited to: fewer copper piles (All of which will now be small), Boss attacks at random, no free accessories in the world and no free charges for first aid cabinets. Alongside the first expansion: Tunnels of Terror, Back 4 Blood is also introducing a new difficulty that changes what you need to be prioritising in your decks.
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No successful lifters have ever built significant amounts of muscle size without having a plan for getting there.Īn effective muscle building program details more than what you are going to do in the gym that day – although that is a great start. It’s also important to be realistic with your muscle building efforts. Think about the physique you want and define how far you are from that body. Or do you want some power and strength to go behind that muscle – something more like a powerlifter or a Strongman competitor? If you want to put on maximum muscle size, you first need to define exactly how much muscle.ĭo you want to gain 5, 10, or 15 pounds of muscle?Īre you trying to improve body composition?Īre you looking to build lean muscle and have shredded muscle definition like you’d see in the physique competition at a bodybuilding show? You probably already know there’s more to building muscle than just showing your face in the weight room when it comes to reaching those muscle growth goals. Yeah, there’s a time and place for that.īut I’m talking about how intensely focused you are on achieving your goals of muscle size and strength. Now I don’t mean you have to get psyched up. If you want muscle, you have to get intense with your strength training workout. The classics are dubbed as such because a classic never dies. Name a recently “discovered” exercise that beats the squat, deadlift, and bench press when it comes to muscle development. In fact, if you look at muscle building efforts over the years, the foundational principles have remained more-or-less the same for decades. Guys, something doesn’t have to be complicated to work. #Rest time between compound exercises how toNot because it’s difficult, but because it seems like common sense.Īnd that’s the thing: Most of you hear advice on how to train for muscle gain and if it’s too simple, you get skeptical. Now with that said, there ARE proven pieces of bodybuilding advice that result in more muscle mass every single time. In fact, most of this advice is going to push you outside of your comfort zone. There are no shortcuts, magical solutions, or heavily guarded industry secrets for building muscle. There’s a hard truth that no one wants to hear when it comes to the muscle building process:
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It had always been my hope that the interview with Sondheim would someday be published in full, but it has taken several years for that to happen. The interview with Sondheim took place on the afternoon of October 29 in his rooms at the Watergate Hotel, and the show opened the following evening. I also attended the Sitzprobe in Washington on October 16-a rehearsal where the musicians and cast play and sing the show together for the first time (held in this case, as is typical, in a rehearsal hall)-and saw the second preview on October 22. The interviews with Weidman and Tunick informed my interview with Sondheim, and excerpts from all three interviews were included in the article. I also conducted interviews with John Weidman, the show’s author, and Jonathan Tunick, its orchestrator (a frequently rescheduled interview with Prince never took place). In preparation for my article and the interview with Sondheim, I attended the production in Chicago and exchanged emails with him about that version. After a hiatus of a couple of months, that evolving production opened for a limited run at the Kennedy Center in Washington, D.C., in the fall of 2003. Work progressed slowly, until the show, now named Bounce-and directed by Harold Prince-had a limited run at the Goodman Theatre in Chicago in the summer of 2003. When he took up the idea again, it was first realized as a reading vĪt the New York Theatre Workshop in the fall of 1999 under the title Wise Guys (directed by Sam Mendes). Sondheim first considered musicalizing the story in the early 1950s, but abandoned the project when he learned that Irving Berlin was working on a musical on the same subject-a show that never materialized. Based on the real-life Mizner brothers, Bounce/Road Show has a long and complicated history. The interview was conducted to inform an article I was writing for The Sondheim Review on the show’s evolution and birth. The first new interview focuses entirely on the show Bounce (2003), which subsequently found its final form in the significantly altered Road Show (2008). The “Song Listing, Discography, and Publishing Information” section has also been updated and expanded. Combined, they add about sixty percent to the interview portion of the book. Unlike the first set of interviews, which had not been conducted with any intention that they would be published, I hoped from the beginning that these would be, and the most recent interview was done specifically for this edition and is its primary justification. This second edition of Sondheim on Music features two new interviews with Sondheim. Given the opportunity to interview Sondheim, I became his actual student, though I thought of myself as a surrogate for whoever might someday have access to the interviews in one form or another. The work itself was also an example of the notion that art is most effective when coupled with craft. It helped me understand the world, gave me a vocabulary to discuss it, and provided music to accompany it and add emotional depth. His work taught me about psychology, behavior, history, language, ambivalence, and irony. Stephen Sondheim became my teacher long before we met. Part III: Song Listing, Discography, and Publishing Information Part II: Songs I Wish I’d Written (At Least in Part) ™ The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Musicals-United States-Analysis, appreciation. Sondheim, Stephen-Criticism and interpretation. Includes bibliographical references and index. Sondheim on music : minor details and major decisions / Mark Eden Horowitz. British Cataloging in Publication Information Available Library of Congress Cataloging-in-Publication Data Horowitz, Mark Eden. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2010 by The Library of Congress All rights reserved. A wholly owned subsidiary of The Rowman & Littlefield Publishing Group, Inc. |
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